Synergistic Research Atmosphere Infinity plus 2 Mini Satellites in White

This is a complete Atmosphere Infinity System in white/chrome consisting of:
1 ea. Atmosphere Infinity in white/chrome 
2 ea. Atmosphere Mini Satellites white/chrome 
3 ea. ATM Red (Atmosphere Tuning Module) in chrome

This set is unused, in mint condition and comes in original packing and all accessories, shipping in two boxes. The retail prices are $3495 for the Infinity and $1690 each for the Mini Satellite ($6875 total).

Atmosphere transcends the boundaries of your current system allowing you to shape your soundstage while controlling low and high frequencies, in real time.

Synergistic Research Atmospheres are room acoustic enhancement devices, placed between your speakers, that allow you to modify and improve the perceived soundstage as well as the quality of the sound from top to bottom of your system; all of this totally controlled by an iPad app.

The NEW Atmosphere Infinity benefits from a more powerful signal generator and is now infinitely scalable with the addition of optional plug and play Satellite Atmosphere Towers (see the new product) for increased room saturation with more even RF dispersion than is possible with a single quad antenna Atmosphere tower. And because you can add one or more Atmosphere Satellite antennas controlled by a single Atmosphere Infinity you’ll have improved placement options perfect for difficult rooms that preclude a single Atmosphere Tower between your two main speakers; merely place one Atmosphere Infinity and additional Atmosphere Satellites in your listening room for added performance and added flexibility for your placement options.

Atmosphere is engineered to work in conjunction with HFT’s, UEF Acoustic Panels and DOTs, as well as the Black Box low-frequency resonator array, SR cables equipped with UEF Shielding, and Tranquility Base UEF platforms for the ultimate integration of every aspect of a system and acoustic performance.

Who it’s for: The music lover with a full complement of Synergistic Research Acoustic Tech including HFT’s and or UEF Acoustic Panels and DOT’s and Black Box bass resonators looking for the ultimate in system room integration. They want the ability to actively control their acoustic environment to mirror different recordings and acoustic venues without the distortion of DSP processors that operate in-the-signal-path.

The Atmosphere Infinity comes in Black with Black trim or in White with Chrome trim and includes the RED Atmosphere Tuning Module (ATM).

With Atmosphere Infinity and Atmosphere Satellites you experience Atmosphere’s 7 acoustic scenes so convincingly you’ll swear you’ve been transported to a live event. Simply install the downloadable Atmosphere Control App to your iPad and select from a gallery of scenes that compliment different genres of music and acoustic spaces.

To tune your acoustics and system with Synergistic Research UEF Technology to your favorite musical tracks, select a scene that corresponds to the type of music you’re listening to, and your iPad sends a Bluetooth command to your Atmosphere Infinity and optional Atmosphere Satellites altering their broadcast to optimize your room and system to match your favorite music.

Atmosphere Infinity:
Height: 52"
Tower Width: 4"
Tower Depth: 4"
Base Width: 9″
Base Depth: 8.25″
Weight: 8 lbs.
Finish: White/Chrome

Atmosphere Mini Satellite:
Height: 14″
Base Width: 4.1″
Base Depth: 4.1″
Finish: White/Chrome

"We were looking for a powerful way to overcome the higher frequency RF environment of day with the soothing low frequency environment we experience at night. While working to recreate the perfect RF environment, we built a single Ultra Low Frequency (ULF) generator. Like so many others have found, the frequency of the Schumann Resonance (7.83 Hz) was a powerful talisman against higher frequencies generated by cell phones, Wi-Fi, radio, and natural solar activity. We also found the Schumann Resonance to have significant limitations. Generate 7.83 Hz one way and the sound was not only improved but also ‘darker’, like switching from an open sounding cable to a darker sounding cable that warms the system as it steals resolution in equal measure. Generate 7.83Hz another way and the sound opens up, but at the expense of low frequency extension and control. In other words, broadcast the same frequency in two different ways and get two different results, neither being exactly right. The observed differences created by a single ULF generator eventually led to broadcasting over multiple separately tuned ULF generators. By working with multiple frequencies and variables, we effectively sidestepped the inherent tradeoff of single frequency conditioning as is commonly found in most Schumann devices. With multiple tuned ULF/ LF Generators we created the perfect RF environment without tradeoffs by manipulating multiple variables instead of relying on a single frequency or transmitter. What we never expected as we experimented with controlling multiple ULF generators was the realization that we were affecting all aspects of sound."

"As we continued to alter the output parameters of our multi wave generators, we found that we could control soundstage width, depth and height. We also found we could shift the frequency balance making sound warmer or more open at will. Likewise, we could control low frequencies making them either fuller or tighter sounding. Mid-range was also within our control and we went so far as to match the perceived mid-range to better match a recording. By manipulating literally millions of potential settings for Atmosphere we can either place a live performer in-between a set of speakers or when a recording calls for something massive like a full orchestra, we can ensure that the room and system are capable of projecting a massively layered soundscape. It was not long before we had catalogued dozens of what we were now callings scenes to match different types of recordings and systems."

Audio Bacon wrote (June 2018): "...as good as everything sounds, it only got better with the Atmosphere XL4. Amazingly, what you read in the scene descriptions is exactly what you get. As mentioned, we were very fond of the “Ethereal” + “Air & Grounded” settings. The improvement in resolution, contrast, and control almost sounded like a source upgrade. I wish I were exaggerating. At $3,500, it isn’t cheap but if you’re willing to squeeze out that last bit, it’ll be there..." CLICK HERE to check out the entire review

Jonathan Valin wrote: "...Ted Denney's absolutely ingenious and amazingly effective Atmosphere/UEF Panel/HFT system is the latest and greatest in a long line of Denney-concocted room treatments... if the Stein Harmonizer gives you a new room, the Atmosphere gives you 12 different, larger, airier spaces that you can dial up to order..."  (review in progress, coming soon)

Mike Girardi, The StereoTimes, June 2015:
"...it’s rare to find a tweak that is not in the signal path to have such a profound effect on music reproduction. Once you hear the Atmosphere and how it can affect the music and the listener, you’ll be hard pressed to take it out of your system. Adding the ATM adds improves upon the original intent by adding Advanced Settings which further elevates the overall performance. The combination of the Atmosphere and ATM delivers on its promised performance and showed itself as an essential upgrade to my reference system. Now with the Atmosphere and ATM in my system to stay, critical music listening is possible day or night. Highly recommended."
Check out the entire review

Dr. David W. Robinson, Editor-in-Chief, PFO, November 2015:
"...certainly there was an alteration to the soundfield that I could hear, with greater or less spaciousness, greater focus, more or less detail, depending on the option chosen... this was multiplied big time by the addition of the ATM module, however. At that point, four additional advanced soundfield options appeared... each selection has some advanced options that allow you to choose the time of day... definition vs the smoothness of the sound, and the expansiveness of the soundfield... and they all seemed to work in our reference stereo room, as specified, with world-class gear, whose sound I know intimately. Splendid!" CHECK OUT the entire review.

Steve Plaskin, Stereophile's AudioStream.com, Dec. 2014:

"...I found the Atmosphere to be a remarkable product that contributed significantly to the enhancement of the sound of my system. Unlike other system enhancement products that are inserted into the signal line, Atmosphere in no way directly degrades or distorts the audio signal in any way. Atmosphere works by changing the way we perceive our system with alteration of the RF in the room. Being able to select the desired sonic effects with an iPad is equally astounding. Adding the ATM elevates the performance of Atmosphere with Advanced Settings that are easy to implement. While I feel that Atmosphere is one of the most innovative and enjoyable new products to be offered to the audiophile market, its greatest attribute is that it allowed me to become more deeply engaged in the musical experience..."
Check out the entire review